Headragged Generals in the Museum
Alice Walker’s poem Women describes our ancestors as “Headragged Generals,” who “knew what we must know without knowing a page of it themselves.” It reminds me that black women have always been our leaders, and curators of knowledge – even before they had access to museums and libraries, or the formal education to work in them.
This poem gives me strength when I map out my purpose and career in museums. I earned a B.S. in History from Coppin State University’s Honors College, where I had the privilege to learn from black women historians whose brand of history was always public, always engaging, and always useful for our community. After finishing my masters, I had the amazing opportunity to be the curator of the National Afro-American Museum and Cultural Center in Wilberforce, Ohio when it reopened in 2013. Now I am ABD and working as a visiting curator at the Michigan State University Museum.
Regardless, I’ve always aimed to keep the Headragged General alive. My way of combining 21st century tools and museum practices with the spirit of my ancestors materializes in two projects that I co-lead #museumsrespondtoferguson (with Adrianne Russell) and #BlkTwitterstorians (with Joshua Crutchfield). #museumsrespondtoferguson is a Twitter chat pushing museums to address Ferguson, and more broadly issues of race inequities in and outside museums. #BlkTwitterstorians connects, supports, affirms, and carves out public space for black historians on Twitter. Both projects are especially important in this Age of Black Lives Matter. There is an insatiable hunger for black history and culture. Black liberation does not exist without communicating with the past. In every iteration of the Black Freedom Movement, black museum professionals have had an incredible responsibility to document and interpret our history for present and future generations. Thinking about this responsibility strengthens my commitment to being a leader in the museum field.
Dr. Aleia Brown is a graduate of Middle Tennessee State University, where her studies focused on 20th century African-American history and material culture, Brown uses quilts to understand how Black women interpret the Black Freedom Struggle. Prior to her doctoral studies, she was the curator at the National Afro-American Museum and Cultural Center. Part of the team that helped reopen the museum in 2012, she curated the exhibition How I Got Over. Ms. Brown holds a MA in Public History from Northern Kentucky University, and a BS in History from Coppin State University.
She was a visiting scholar at the Michigan State University Museum during her doctoral studies at Middle Tennessee State University. She is also the co-founder of hashtags and monthly conversations #MuseumsRespondtoFerguson and #BlkTwitterstorians. Currently she is the Program Manager at the
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Published by Jada Wright-Greene
Jada Wright-Greene is a museum activist, writer, independent museum professional and a lover of history. She is the self-proclaimed African American Museum Activist. She has a passion for revitalizing and bringing awareness to the African-American museum culture with a goal of diversifying the museum profession. Jada is the Founder & President of Heritage Salon, a nonprofit and magazine devoted to African-American museums, historic sites/homes and cultural institutions. She has served as a keynote speaker, panelist and lecturer on the topic of arts education, museums and diversity throughout the United States. Jada is an avid writer and recently became a contributor for Huffington Post. She has written for several blogs, magazines and publications including; Black Southern Belle and the American Alliance of Museums Center for Museums Education blog. In the Fall of 2016, she was a guest lecturer at Harvard Extension School where she shared her expertise on African American museums. Jada earned a Bachelor of Arts in Political Science from Bethune-Cookman University, a Master’s degree from Michigan State University in Urban & Regional Planning and a certificate in Museum Studies, where she was the first African American to complete the Museum Studies program. Finally, she earned dual Masters degrees from Johns Hopkins University in Museum Studies and Nonprofit Management.
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