{"id":3138,"date":"2020-01-27T03:28:17","date_gmt":"2020-01-27T03:28:17","guid":{"rendered":"https:\/\/heritagesalon.org\/?p=3138"},"modified":"2026-07-20T14:33:05","modified_gmt":"2026-07-20T14:33:05","slug":"hs-spotlight-haili-francis","status":"publish","type":"post","link":"https:\/\/heritagesalon.org\/?p=3138","title":{"rendered":"Heritage Salon Spotlight: Haili Francis"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"720\" height=\"713\" data-attachment-id=\"3139\" data-permalink=\"https:\/\/heritagesalon.org\/?attachment_id=3139\" data-orig-file=\"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..png?fit=750%2C743&amp;ssl=1\" data-orig-size=\"750,743\" data-comments-opened=\"1\" data-image-title=\"Haili-F.\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..png?fit=720%2C713&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..png?resize=720%2C713&#038;ssl=1\" alt=\"\" class=\"wp-image-3139\" srcset=\"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..png?resize=300%2C297&amp;ssl=1 300w, https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..png?resize=90%2C90&amp;ssl=1 90w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\">Haili Francis<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Haili\u2019s professional background as an artist, cultural producer\nand scholar is synthesized through a confluence of curatorial practice,\nscholarship and fundraising strategy. Haili\u2019s creativity offers a perspective\non philanthropy that is human centered, fresh and innovative. Her core\ninterests are in broadening access to museums through civic engagement and\nadopting inclusive practices to elevate dynamic narratives from historically\ndisengaged groups. Her belief is that the arts and humanities can be diplomatic\ntools that can shape public understanding of culture in empathetic and\nthoughtful ways. The impetus for her work as a fundraiser is ensuring that\ncultural institutions are financially sustainable and in excellent service to\nthe public, even in economic downturns. In 2016, Haili joined the Smithsonian\nadvancement team during their $1.5 billion capital campaign, the largest in\nhistory for a cultural organization. In addition to her advancement work she\nhas used her talents for special projects. Among her projects include working\nalongside the highly acclaimed Content Director, Marquette Folley, and the\ndesign firm We Should Do it All to select artists, manage donor relations, and\nco-convene the curatorial and scholarly advisory committees for the nationally\ntouring Smithsonian exhibition,<em> Men of Change<\/em>: <em>Power. Triumph\nTruth.&nbsp;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Haili now leads the Office of Advancement at the Smithsonian Center for Folklife and Cultural Heritage. She designs sophisticated strategies for board management, donor cultivation and stewardship events, and digital content to align the Center\u2019s top philanthropic priorities with broader Smithsonian goals. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"537\" height=\"580\" data-attachment-id=\"3143\" data-permalink=\"https:\/\/heritagesalon.org\/?attachment_id=3143\" data-orig-file=\"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..jpg?fit=537%2C580&amp;ssl=1\" data-orig-size=\"537,580\" data-comments-opened=\"1\" data-image-title=\"Haili-F.\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..jpg?fit=537%2C580&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..jpg?resize=537%2C580&#038;ssl=1\" alt=\"\" class=\"wp-image-3143\" srcset=\"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..jpg?w=537&amp;ssl=1 537w, https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/01\/Haili-F..jpg?resize=278%2C300&amp;ssl=1 278w\" sizes=\"(max-width: 537px) 100vw, 537px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Haili Francis <\/strong>is an artist, scholar and Harvard trained cultural producer with specialties in African American and contemporary art. While pursuing her bachelor of fine arts at the University of Southern California, she completed a Getty Multicultural Internship at the California African American Museum and studied abroad in a fine arts program in Italy. Haili also received a graduate certificate in nonprofit management from USC and served on the Museum Services Council at the Los Angeles County Museum of Art from 2009-2011. Haili has worked extensively with the Kinsey Foundation for Arts and Education and their award-winning private African American art collection, <a rel=\"noreferrer noopener\" href=\"http:\/\/www.thekinseycollection.com\/\" target=\"_blank\"><em>The Kinsey African American Art and History Collection<\/em><\/a>, which is one of the largest in the world.During the Smithsonian\u2019s historic $1.5 billion capital campaign, Haili joined the advancement team at the Smithsonian Institution Traveling Exhibition Service. Among the traveling exhibition project teams Haili has worked on is <em>Men of Change: Power. Triumph Truth, Robert Blackburn &amp; Modern American Printmaking, Dolores Huerta: Revolution in the Fields, The Negro Motorist Greenbook <\/em>and <em>The Bias Inside Us.\u00a0<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the spring of 2019 Haili became an adjunct faculty member at Trinity Washington University where she taught the inaugural African American Art History I &amp; II courses. Haili is an alumna of the Getty Leadership Institute and the AAM\/Getty Career Management Fellowship. Haili has a Masters in Museum Studies from Harvard where she was awarded the Derek Bok Public Service Prize at commencement. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To learn more about Haili visit: <a href=\"http:\/\/hailiwood.com\/\">http:\/\/hailiwood.com\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Follow her on social media:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li> Instagram: @hailiwood <\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Linkedin: Haili Francis<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Haili Francis Haili\u2019s professional background as an artist, cultural producer and scholar is synthesized through a confluence of curatorial practice, scholarship and fundraising strategy. Haili\u2019s creativity offers a perspective on philanthropy that is human centered, fresh and innovative. Her core &hellip; <a href=\"https:\/\/heritagesalon.org\/?p=3138\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Heritage Salon Spotlight: Haili Francis<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":3139,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[9548,579416764],"tags":[579416793,579416800,579416792],"class_list":["post-3138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-hs-spotlights","tag-featured","tag-haili-francis","tag-hs-spotlight","fallback-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Heritage Salon Spotlight: Haili Francis -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/heritagesalon.org\/?p=3138\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Heritage Salon Spotlight: Haili Francis -\" \/>\n<meta property=\"og:description\" content=\"Haili Francis Haili\u2019s professional background as an artist, cultural producer and scholar is synthesized through a confluence of curatorial practice, scholarship and fundraising strategy. 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Ed.","author":"Jada Wright-Greene","date":"July 6, 2017","format":false,"excerpt":"Intern & Fellows Program Manager, Smithsonian\u2019s National Museum of American History \u00a0 You have a very unique family background that was highlighted in the National Museum of African American History and Culture. 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I spent many hours in her home (Mary McLeod Bethune Foundation- National\u2026","rel":"","context":"In &quot;Heritage Salon Stories&quot;","block_context":{"text":"Heritage Salon Stories","link":"https:\/\/heritagesalon.org\/?cat=579416752"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2017\/07\/Football-Team-.jpg?fit=798%2C496&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2017\/07\/Football-Team-.jpg?fit=798%2C496&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2017\/07\/Football-Team-.jpg?fit=798%2C496&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2017\/07\/Football-Team-.jpg?fit=798%2C496&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5455,"url":"https:\/\/heritagesalon.org\/?p=5455","url_meta":{"origin":3138,"position":3},"title":"Opinion: Why African American museums are important in the midst of racial unrest","author":"Jada Wright-Greene","date":"July 1, 2020","format":false,"excerpt":"By: Jada Wright-Greene Dr. Charles H. Wright\u2019s traveling International Afro-American Museum, 1966. Courtesy of the Archives and Research Library of the Charles H. Wright Museum of African American History. I have been thinking and processing the issues that we are facing in our world. These issues are threaded and woven\u2026","rel":"","context":"In &quot;Features&quot;","block_context":{"text":"Features","link":"https:\/\/heritagesalon.org\/?cat=9548"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/07\/Dusable-Museum.jpg?fit=620%2C348&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/07\/Dusable-Museum.jpg?fit=620%2C348&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/heritagesalon.org\/wp-content\/uploads\/2020\/07\/Dusable-Museum.jpg?fit=620%2C348&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":2341,"url":"https:\/\/heritagesalon.org\/?p=2341","url_meta":{"origin":3138,"position":4},"title":"Opinion: Why is Lonnie Bunch\u2019s appointment significant?","author":"Jada Wright-Greene","date":"August 7, 2019","format":false,"excerpt":"By: Jada Wright-Greene Jaclyn Nash \/ Smithsonian Institution Lonnie Bunch is considered a rockstar (as someone recently said to me) in the museum world with his new appointment. 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